A FREE community Breakfast in the church that is open to all in our wider community.

We serve tea and coffee with boiled eggs, toast, spreads, fresh fruit and cheese.

On the last Tuesday of the month we cook a Full English Breakfast and every eight weeks we provide a haircut too!

So come and relax in a safe, quiet space, read the daily papers or chat with the regulars.

If ever a breakfast is cancelled we will give as much prior notice as possible and place a notice in our outside display box.

A FREE community Breakfast in the church that is open to all in our wider community.

We serve tea and coffee with boiled eggs, toast, spreads, fresh fruit and cheese.

On the last Tuesday of the month we cook a Full English Breakfast and every eight weeks we provide a haircut too!

So come and relax in a safe, quiet space, read the daily papers or chat with the regulars.

If ever a breakfast is cancelled we will give as much prior notice as possible and place a notice in our outside display box.

The Service will be  led by Reverend Meret Engel, sabattical Minister from Romanshorn-Salmsach, Switzerland.  Everyone is welcome to join us for our Sunday service. We are an ecumenical congregation, and people from Anglican, Protestant and Catholic backgrounds and no religious affiliation worship together.

The sermon is in English. The hymns are sung in German, French and English.

The service is followed by lunch cooked by members of the congregation.

In this service of commemoration,  we will light candles for those who have passed away in the past year and in previous years. The service will be accompanied by  organist Peter Yardley-Jones and led by sabatical Minister Reverend Meret Engel , and followed by refreshments.

The names of those you would like to remember can be handed to Meret before the service begins, or sent to her in advance via email (meret.engel@swisschurchlondon.org.uk). If you cannot attend, someone from the congregation will light a candle on your behalf.

Admission free – retiring collection

The Yellowing, Part 2 (Bell Mouth) is a new audio-visual performance, that brings the architecture and history of the Swiss Church into dialogue with the current life of a bell mouth intersection on the A583 in Lancashire. This bell mouth, as the gateway to a fracking site has, over the past two years, become inhabited as a place of resistance, reflection and togetherness.

The performance takes as its starting point the history of female social support work at the Swiss Church. It connects this to the activities in the bell mouth on Preston New Road, Lancashire, where the local community, particularly many older women, have held vigil since work on the site commenced in January 2017. During these two years, the site has played host to silent contemplation, knitting circles, speeches and song and dance, against a backdrop of frequently violent intervention from the police and security staff. For many of these women, these activities are their first active political engagements, made later in life, and challenging their existing belief systems.

Akin to a narrated live film, the performance will extend methods used in Birch’s previous performances—video, projections and live narration—to gradually transform the architecture of the Church through images, sound and objects. Refreshments will be served in the foyer throughout the evening.

The Yellowing, Part 2 (Bell Mouth) is a chapter in Birch's wider project, The Yellowing, which connects women’s histories, landscapes and sub-surface geologies. The Yellowing, Part 1was shown in May 2018 at The Grundy Art Gallery, Blackpool, as part of Fig-Futures. The project also includes a forthcoming feature-length film, Undermine, that follows the daily lives of the community of women affected by fracking in Lancashire, investigating the psychological implications of being undermined, environmentally, democratically and emotionally. 

The Yellowing, Part 1 was commissioned by Fig-Futures, and supported by Art Fund, Arts Council England and Outset. The sister feature film currently in development, Undermine,has been supported by Arts Council England, FLAMIN (New Approaches) and Lancaster Arts. 

Rebecca Birch has exhibited widely both nationally and internationally. Her solo exhibitions include; Lichen hunting on the west coast, Fig-2 at ICA London, and the days run away, commissioned by Camden Arts Centre and Whitescreenat The Agency Gallery. Her group exhibitions include, Matt’s Galleryat Black Rock, Test Run at Modern Art Oxford, Multiplexing at LUX & PeckhamPlex, London. She is the recipient of a number of residencies and awards including, CCA Creative Lab Residency, Glasgow and LUX Associate Artists Programme. 

The Yellowing, Part 2: Bell Mouthis part of Being and Appearing, a programme of contemporary art curated for the Swiss Church in London by Kirsty White - beingandappearing.org.uk.

Kindly supported by The Swiss Church in London, Arts Council England and The Elephant Trust.  

Performances will take place every hour. Admission free but please book if you would like to guarantee entry for a particular time slot

The Yellowing, Part 2 (Bell Mouth) is a new audio-visual performance, that brings the architecture and history of the Swiss Church into dialogue with the current life of a bell mouth intersection on the A583 in Lancashire. This bell mouth, as the gateway to a fracking site has, over the past two years, become inhabited as a place of resistance, reflection and togetherness.

The performance takes as its starting point the history of female social support work at the Swiss Church. It connects this to the activities in the bell mouth on Preston New Road, Lancashire, where the local community, particularly many older women, have held vigil since work on the site commenced in January 2017. During these two years, the site has played host to silent contemplation, knitting circles, speeches and song and dance, against a backdrop of frequently violent intervention from the police and security staff. For many of these women, these activities are their first active political engagements, made later in life, and challenging their existing belief systems.

Akin to a narrated live film, the performance will extend methods used in Birch’s previous performances—video, projections and live narration—to gradually transform the architecture of the Church through images, sound and objects. Refreshments will be served in the foyer throughout the evening.

The Yellowing, Part 2 (Bell Mouth) is a chapter in Birch's wider project, The Yellowing, which connects women’s histories, landscapes and sub-surface geologies. The Yellowing, Part 1was shown in May 2018 at The Grundy Art Gallery, Blackpool, as part of Fig-Futures. The project also includes a forthcoming feature-length film, Undermine, that follows the daily lives of the community of women affected by fracking in Lancashire, investigating the psychological implications of being undermined, environmentally, democratically and emotionally. 

The Yellowing, Part 1 was commissioned by Fig-Futures, and supported by Art Fund, Arts Council England and Outset. The sister feature film currently in development, Undermine,has been supported by Arts Council England, FLAMIN (New Approaches) and Lancaster Arts. 

Rebecca Birch has exhibited widely both nationally and internationally. Her solo exhibitions include; Lichen hunting on the west coast, Fig-2 at ICA London, and the days run away, commissioned by Camden Arts Centre and Whitescreenat The Agency Gallery. Her group exhibitions include, Matt’s Galleryat Black Rock, Test Run at Modern Art Oxford, Multiplexing at LUX & PeckhamPlex, London. She is the recipient of a number of residencies and awards including, CCA Creative Lab Residency, Glasgow and LUX Associate Artists Programme. 

The Yellowing, Part 2: Bell Mouthis part of Being and Appearing, a programme of contemporary art curated for the Swiss Church in London by Kirsty White - beingandappearing.org.uk.

Kindly supported by The Swiss Church in London, Arts Council England and The Elephant Trust.  

Performances will take place every hour. Admission free but please book if you would like to guarantee entry for a particular time slot

A FREE community Breakfast in the church that is open to all in our wider community.

We serve tea and coffee with boiled eggs, toast, spreads, fresh fruit and cheese.

On the last Tuesday of the month we cook a Full English Breakfast and every eight weeks we provide a haircut too!

So come and relax in a safe, quiet space, read the daily papers or chat with the regulars.

If ever a breakfast is cancelled we will give as much prior notice as possible and place a notice in our outside display box.

A FREE community Breakfast in the church that is open to all in our wider community.

We serve tea and coffee with boiled eggs, toast, spreads, fresh fruit and cheese.

On the last Tuesday of the month we cook a Full English Breakfast and every eight weeks we provide a haircut too!

So come and relax in a safe, quiet space, read the daily papers or chat with the regulars.

If ever a breakfast is cancelled we will give as much prior notice as possible and place a notice in our outside display box.

Our Sunday services are held at the Swiss Church in 79 Endell Street every first and third Sunday of the month. The first Sunday is with communion. Everyone is invited to join. 

The sermons are in English, the hymns and the liturgy are also in German and French. 

A meal or light refreshments are served after the service. 

The Swiss Church in London is rooted in the Reformed tradition but people from all denominations, faith groups (and none) are welcome.

Breakfast on the Steps is an important part of the week at the Swiss Church. It is a time when we serve our community and welcome people into the church by serving food and offering fellowship. We make an effort to be present and spend time with the people who come along. It is always a joy to see the variety of people who come to join our community activities. 

We gratefully accept donations of winter footwear and warm clothing, to pass onto our guests when they need them. 

If you would like to volunteer, we would love that!

Get in touch with Josh: josh.kelly@swisschurchlondon.org.uk

The Table was developed by Mariana Lemos in collaboration with artists Laura Mallows, Hannah Wilson, Rosa Johan Uddoh, Emily Perry and Munesu Mukombe

The opening night of the Annual Goldsmiths' Exhibition at The Swiss Church London takes place on Tuesday 5th March from 7pm to 10.00pm

From Wednesday 6th March to Friday 8th March the exhibition will be open from 11:00 to 18:00 each day. There will also be a programme of events each day.

More details of the programme each day visit the dedicated website-   https://www.thetableexhibition.com

"The table carries a variety of difering assocations. It evokes images of domestic intimacy, as well as ideas about horizontality and democracy. By default, however it also represents methods of hierarchisation and exclusion. Who gets aseat at the table? Containing the potential to facilitate spaces of equality as well as of discrimination, the table simultaneously embodies mechanisms of bothe inclusion and exclusion. 

" A large wooden table is at the centre of the exhibition. It lays the foundations for realising and displaying the project:artworks, performances, video screenings and workshops aim at working through these dichotomies in our everyday lives"

The Table was developed by Mariana Lemos in collaboration with artists Laura Mallows, Hannah Wilson, Rosa Johan Uddoh, Emily Perry and Munesu Mukombe

The opening night of the Annual Goldsmiths' Exhibition at The Swiss Church London takes place on Tuesday 5th March from 7pm to 10.00pm

From Wednesday 6th March to Friday 8th March the exhibition will be open from 11:00 to 18:00 each day. There will also be a programme of events each day.

More details of the programme each day visit the dedicated website-   https://www.thetableexhibition.com

"The table carries a variety of difering assocations. It evokes images of domestic intimacy, as well as ideas about horizontality and democracy. By default, however it also represents methods of hierarchisation and exclusion. Who gets aseat at the table? Containing the potential to facilitate spaces of equality as well as of discrimination, the table simultaneously embodies mechanisms of bothe inclusion and exclusion. 

" A large wooden table is at the centre of the exhibition. It lays the foundations for realising and displaying the project:artworks, performances, video screenings and workshops aim at working through these dichotomies in our everyday lives"

For all music lovers. Not to be missed. Make a space in your diary now.

24 March 2019 at 8 PM
The Swiss Church, London
79 Endell St, London WC2H 9DY

Tickets must be obtained via the weblink below.

Tickets £15 (£12 concessions) available at https://orientandoccident.eventbrite.com

The performance is supported by Arts Council England and The Swiss Church, London

For the second instalment of the NEW HORIZONS International Artist Series, the United Strings of Europe will be joined by celebrated violinist Itamar Zorman in a programme that includes the UK Premiere of Swiss/El Salvadoran composer Arturo Corrales’ ‘Señores les voy a contar…’.
The performance at will also feature United Strings of Europe Principal Conductor Franck Fontcouberte.

PART Orient and Occident
HARTMANN Concert Funèbre
CORRALES Señores les voy a contar
SHOSTAKOVICH Chamber Symphony Op. 110

Itamar Zorman, violin

The recipient of an Avery Fisher Career Grant and a Borletti-Buitoni Trust award, joint winner of the 2011 International Tchaikovsky Competition, Itamar Zorman has appeared with, among others, the American Symphony Orchestra in Carnegie Hall, Het Gelders Orkest in the Concertgebouw, the Tokyo Symphony in Suntory Hall, as well as the Jerusalem Symphony, Israel Philharmonic, Haifa Symphony, Polish Radio Chamber Orchestra, Südwestdeutsches Kammerorchester, Philharmonie Baden Baden, St. Petersburg Philharmonic, and Russian State Symphony Orchestra. His performance with the United Strings of Europe will mark his London debut.

Franck Fontcouberte, conductor

Formerly an orchestral percussionist, Franck Fontcouberte forged his craft with David Robertson, Zoltan Pesko, Armin Jordan and Pierre Boulez. Professor of Orchestral Conducting at the Conservatoire for the Region of Montpellier, Franck is Principal Conductor and Artistic Director of Orchestre ‘Contrepoint’, Director of the Chorale de Sète and Artistic Director of the festival ‘MusicaSète’. He has been invited to conduct in Belgrade, Kotor, London, Rome, Florence, Athens, Istanbul, Barcelona, Valencia, Salzburg, Riga, Prague, Szombathely, Durban and Johannesburg. He has recorded a number of CDs and DVDs, including Liszt’s Coronation Mass, Verdi’s Requiem, Mozart’s Symphony No. 29 and Great Mass in C Minor, Puccini’s Messa di Gloria and Bartok’s The Miraculous Mandarin.

Arturo Corrales, composer

Born in El Salvador but established in Switzerland, Arturo Corrales pursued composition studies in Geneva and Lugano with Eric Gaudibert, Nicolas Bolens, Michael Jarrell, Nadir Vassena; electroacoustics with Rainer Boesch, Luis Naón, Eric Daubresse; and orchestral conducting with Giorgio Bernasconi. Winner of the Edmund Pendleton Prize in 2004, co-founder of the Ensemble Vortex in Geneva, Corrales has a Masters in Musicology from Paris VIII Univeristy where he studied with the composer Horacio Vaggione.

Imbued with a resolutely experimental approach, his creative work is often inspired by ethnic and popular sources. Constantly attentive to the formal coherence of his works and to the control of their projection in space and time, he wants to facilitate the expression and perception of a “liveable and human” music.

Alongside his activities as a composer, performer and conductor, Arturo Corrales teaches the guitar and is a professor of composition and analysis at the Conservatoire Populaire in Geneva; he was recently awarded a Doctorate in Musicology from the University of Geneva, with a very honorable mention and unanimous praise from the jury.